Conductor and Artistic Director
Tom Fetherstonhaugh
✉ tom@fantasiaorchestra.com
Energetic, dynamic, and genre-blurring musical experiences: that's what we do.
With our friends and collaborators, we forge creative connections that bring people together through music.
Fantasia Orchestra has a reputation for pioneering cross-genre programming and collaborations with musical stars. Founded by conductor Tom Fetherstonhaugh, the orchestra is home to some of the best of young British classical music talent today.
In the 2025-26 season, Fantasia performs a wide range of music from Alma Mahler and Shostakovich to Joni Mitchell and Benny Goodman, and is joined by Lucy Crowe (soprano), Jess Gillam (saxophone), Jasdeep Singh Degun (sitar), Steven Osborne (piano), Aaron Akugbo (trumpet), and Niamh O'Sullivan (mezzo-soprano).
The orchestra made its BBC Proms debut in 2024, performing two concerts at the Royal Albert Hall with broadcasts on BBC television and radio. Repertoire ranged from Bartók, Brahms and Dvořák to Laura Mvula, Piazzolla and Chic, and long-time friends and collaborators Sheku Kanneh-Mason (cello), Braimah Kanneh-Mason (violin) and Plínio Fernandes (guitar) shared the stage as soloists.
Other recent projects have featured Dame Evelyn Glennie (percussion), Ben Goldscheider (horn), Isata Kanneh-Mason (piano), Jennifer Pike (violin), and Toby Spence (tenor), at festivals including Ryedale Festival, Newbury Spring Festival, Deal Music and Arts Festival, and Proms at St Jude's.
Broadening the reach and accessibility of music is central to Fantasia's mission, and the orchestra enjoys a partnership with the music education charity DaCapo Music Foundation. As DaCapo’s orchestra-in-residence, Fantasia works closely with students from across London and beyond on a range of initiatives, including a new resource for the primary classroom, DaCapo Online.
Read about Fantasia’s 25/26 season here.

Tom Fetherstonhaugh is Artistic Director of Fantasia Orchestra, with whom he made his BBC Proms debut in August 2024 conducting two performances at the Royal Albert Hall. Tom founded Fantasia Orchestra in 2016, and the orchestra has developed a busy schedule at festivals and venues across the country.
In the 2025/26 season, Tom makes debuts with the BBC National Orchestra of Wales, Philharmonia Orchestra and Orchestra of Welsh National Opera, and returns to the BBC Philharmonic, Bournemouth Symphony Orchestra, Britten Sinfonia, Manchester Camerata, National Symphony Orchestra of Ireland, and the Ulster Orchestra. Recent collaborations include with the Orchestra of Opera North, Royal Northern Sinfonia, a joint concert with Royal Philharmonic Orchestra and Antigua and Barbuda Youth Symphony Orchestra, and a concert for peace in the Korean Demilitarised Zone.
As the Assistant Conductor of the Bournemouth Symphony Orchestra between 2022-2024, Tom conducted 70 performances including five weeks in the BSO’s main season series.
Tom started his musical journey with the Suzuki method of violin playing, and was a chorister of Westminster Abbey. He read music at Merton College, Oxford, and studied conducting with Sian Edwards at the Royal Academy of Music. Tom graduated from the Academy with Distinction and a DipRAM prize in 2021, and was awarded Associate Honours (ARAM) in 2024 for his contribution to the music profession.

Michael has loved and been involved with music since childhood, singing from before he could properly talk (apparently !) and through school and university years playing the flute and saxophone and participating in many choirs. Whilst at Liverpool University he was a choral scholar in Liverpool’s Metropolitan Cathedral and today Michael is an enthusiastic member of the tenor section in Cardiff’s Ardwyn Singers.
Music is the lifeblood of Michael’s career, which has seen him: choose the music that Classic FM plays (as a Music Producer); hand out grants to Arts Council of England applicants (as the Music Officer for the East of England); put an orchestra on the roof of a boat to celebrate the then Queen’s Diamond Jubilee as part of the Thames Pageant (when he was Chief Executive of the Academy of Ancient Music); and appoint the first titled female conductor to any BBC orchestra (as Director of the BBC National Orchestra and Chorus of Wales).
Michael has a varied freelance consultancy now which spans supporting opera organisations; restructuring music education services; developing networks of philanthropists; enabling national radio stations to relocate and restructure; teaching and mentoring postgrads at the Royal Welsh College of Music & Drama and of course, his role as the Executive Director of Fantasia Orchestra. Michael likes to swim and run (slowly); has two cats (one of which is definitely his favourite !) and three children (all of whom are equally lovely, in their own way !!)
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Jessica joined the Fantasia Orchestra team in Autumn 2025 as Concerts Producer, overseeing concert planning, logistics, and musicians. An accomplished freelancer, Jessica brings a wide range of experiences to the team, including music library, stage management, and orchestral fixing.
Prior to freelancing, Jessica worked at the Royal Opera House as Assistant Orchestra Operations Manager, and London Mozart Players as Orchestra Manager. In the 2025-26 concert season, she will work with Petworth Festival (Events Manager), National Youth Orchestra (NYO Open Manager), and London Mozart Players, London Sinfonietta, Odyssey Ensemble, and Hatfield House Chamber Music Festival in Concert Manager roles. Jessica also works at Holy Sepulchre, the National Musicians Church, as an Events Host / Duty Manager.
When not working, Jessica enjoys spending time outdoors, preferably with her partner, dog, and cat!

Alex is the Content and Communications Manager for Fantasia Orchestra, having joined the organisation in February 2024. He leads on all aspects of content creation, digital strategy and communications and is most often found moving between rehearsals and concerts with a camera in hand, capturing the energy, people and stories behind Fantasia’s work.
Alongside his role with Fantasia, Alex is deeply passionate about music education and access to the arts. He is the Director of Broadway Bella’s in Norfolk and regularly works as a Musical Director across a wide range of productions and projects throughout East Anglia, spanning musical theatre, youth performance and community work.
Outside of work, he enjoys travelling and spending time with his three cats, who keep him well entertained when he’s not in a rehearsal room or concert hall.

Joining the board in March 2023, Tegan is delighted to be Acting Chair of Fantasia Orchestra and brings a wealth of experience from across the Classical music sector. Her career began with London Mozart Players, as Head of Artistic Planning, before she joined Askonas Holt in their touring team, looking after a number of top international orchestras and clients. She now works with different organisations across the industry, including Chineke! Foundation and as producer for London Handel Festival.
Tegan studied Music at St. Anne’s College, Oxford, where her love of choral music and jazz grew - she continues to sing with professional ensembles across London, including her own jazz vocal group, Standard Deviation.

Susan Guy is a retired solicitor. She was a partner in a City law firm and then worked in the legal team of a mutual assurance company and she specialised in procurement and contract law.
On retirement she decided to put her legal skills to good use as a charity trustee. She is currently a trustee (and former Chair) of Citizens Advice Camden and also sits on the board of of London Citizens Advice, a city-wide consortium of the Citizens Advice offices in London.
She has always been a music lover — particularly of opera and chamber music — and attends concerts, recitals and opera frequently. Alongside her role at Fantasia Orchestra, Susan is a trustee and secretary of the London Chamber Music Society.
She believes that, in the absence of music education and the lack of opportunity for many children to be involved with music at school, it is important for performing ensembles to play a part in providing that experience for children and young people.

Julian has spent 40 years working in the City, which he embarked upon after taking degrees in Economics at the University of Sydney and PPE at Christ Church, Oxford. He spent 27 years as an equity analyst specialising in the European Consumer Staples sector for Barclays and ABN AMRO/RBS. Since 2012 he has been working as a consultant providing international company research for a leading UK investment management company.
Outside his career, Julian is actively involved with several classical music charities. In addition to Fantasia Orchestra, of which he is a founding Trustee, Julian is also a Trustee of the Wimbledon International Music Festival. He recently stepped down as Chairman of Wimbledon-based Stoneleigh Youth Orchestra, one of the UK’s oldest youth orchestras, after 16 years, but continues to be actively involved with the Organisation.
He is a keen supporter of opera and classical music, particularly younger professional performers, and also enjoys theatre and travel. He lives in Southfields with his partner, Cathie, and two dogs, Boo and Tess.

James is Head of Development at The Royal Society of Musicians, where he leads fundraising, partnerships, and strategy to expand support for the wellbeing of music professionals. He previously held development roles with Britten Pears Arts, the Royal Academy of Arts, and the Royal Academy of Music, and advises a range of music and arts charities on donor engagement, membership growth, and data-led planning.
A classically trained bass, James sings in the professional quartet at Holy Trinity, Sloane Square, and performs regularly across London. His academic background includes a PhD from the University of Bristol on the revival of the madrigal in Britain, which informs his interest in how historical institutions can inspire modern audiences.
On the Fantasia Orchestra board, James focuses on fundraising and governance, helping the organisation to build sustainable income and deepen its impact with young artists and new audiences. He enjoys connecting performers, supporters, and venues to make ambitious projects possible and is committed to clear reporting and measurable results.
James is bilingual in English and French and lives in London.

For press and PR enquiries, contact Arabella Neville-Rolfe:
arabella@anrpr.co.uk
07815025364