Mezzo-soprano
Niamh O’Sullivan
Irish mezzo-soprano Niamh O’Sullivan is praised for her 'bewitchingly beautiful, dark vibrant voice' (SüddeutscheZeitung).
Smith Square Hall, London, SW1P 3HA
Ellington Take the "A" Train
Kern The Way You Look Tonight from Swing Time
Kern Can't help lovin dat man from Show Boat
Strauss Serenade op. 7
Alma Mahler Mild Summer Night from Five Songs 1910
Alma Mahler Harvest Song from Four Songs 1915
Gustav Mahler Adagietto from Symphony no. 5
Gershwin Someone to watch over me from Oh, Kay!
Elgar Chanson de Nuit
Strauss Die Nacht from Songs op. 10
Elgar Chanson de Matin
Strauss Morgen from Four Songs op. 27
Sondheim Send in the Clowns from A Little Night Music
Porter I Get a Kick Out of You
Gershwin Let's Call the Whole Thing Off from Shall We Dance
With arrangements by Harry Baker

For Fantasia’s final programme of the season, we’re joined by the Irish mezzo-soprano Niamh O’Sullivan for a night of orchestral song that spans genres, decades and emotions.
The programme is a love letter to 20th-century song in all its forms.
From the soaring romanticism of Alma Mahler and Richard Strauss to the bittersweet elegance of Cole Porter and Stephen Sondheim, this concert brings together worlds that rarely meet.
You’ll hear music from beloved films and musicals alongside lush orchestral arrangements of song cycles and solo pieces all carefully curated to tell a story that is moving, varied and richly expressive.
This concert is a celebration of the voice in all its glory, and we’d love you to join us.

Irish mezzo-soprano Niamh O’Sullivan is praised for her 'bewitchingly beautiful, dark vibrant voice' (SüddeutscheZeitung). A 2023-2025 BBC New Generation Artist and former studio member of the Bayerische Staatsoper, O’Sullivan has quickly established herself as one of the most exciting mezzos today.

Tom’s start in music was fortuitous, as he was lucky to be introduced to an inspiring violin teacher by his grandmother at the age of four.
At eight he became a chorister of Westminster Abbey, an experience he describes as ‘transformative’, benefitting from musical training that featured high profile occasions like singing the solo at the Royal Wedding in 2011. Tom then attended Cardinal Vaughan Memorial School, a state comprehensive that champions music and the arts.
He continued with the violin, sang, played the organ, and started to explore conducting, enjoying the process of rehearsals and the ability both to make music with and to bring together large groups of people. It was in his final year at school that he saw the potential for a career in it, founding Fantasia Orchestra in 2016.
Tom now enjoys a busy career with major orchestras, including with the BBC Philharmonic and the National Symphony Orchestra Ireland. In his rare moments of downtime he enjoys running, listening to jazz, and cooking, likening the process to conducting — it being about balance, flavour, pacing and bringing people together.

Smith Square Hall, London, SW1P 3HA